11 Nisan 2013 Perşembe

Alan Friedman’s Photographs of the Sun from his Own Backyard


Alan Friedman is a fascinating guy. By day he’s a maker of greeting cards and a lover of hats, but in his spare time he’s a self-proclaimed space cowboy who points a telescope skyward from his backyard in downtown Buffalo, directly into the light of the sun. Using special filters attached to his camera Friedman captures some of the most lovely details of the Sun’s roiling surface. The raw images are colorless and often blurry requiring numerous hours of coloring, adjusting and finessing to tease out the finest details, the results of which hardly resemble what I imagine the 10-million degree surface of Sun might look like. Instead Friedman’s photos appear almost calm and serene, perhaps an entire planet of fluffy clouds or cotton candy. From his artist statement:

Alan Friedman is a fascinating guy. By day he’s a maker of greeting cards and a lover of hats, but in his spare time he’s a self-proclaimed space cowboy who points a telescope skyward from his backyard in downtown Buffalo, directly into the light of the sun. Using special filters attached to his camera Friedman captures some of the most lovely details of the Sun’s roiling surface. The raw images are colorless and often blurry requiring numerous hours of coloring, adjusting and finessing to tease out the finest details, the results of which hardly resemble what I imagine the 10-million degree surface of Sun might look like. Instead Friedman’s photos appear almost calm and serene, perhaps an entire planet of fluffy clouds or cotton candy. From his artist statement:

My photographs comprise a solar diary, portraits of a moment in the life of our local star. Most are captured from my backyard in Buffalo, NY. Using a small telescope and narrow band filters I can capture details in high resolution and record movements in the solar atmosphere that change over hours and sometimes minutes. The raw material for my work is black and white and often blurry. As I prepare the pictures, color is applied and tonality is adjusted to better render the features. It is photojournalism of a sort. The portraits are real, not painted. Aesthetic decisions are made with respect for accuracy as well as for the power of the image. Although the photos above are amazing, Friedman offers extremely high-resolution views of his work on his Tumblr and you can pick up some prints over on Photo-Eye. He also recently gave a TEDx Talk.  08more images after the break... 
Alan Friedman is a fascinating guy. By day he’s a maker of greeting cards and a lover of hats, but in his spare time he’s a self-proclaimed space cowboy who points a telescope skyward from his backyard in downtown Buffalo, directly into the light of the sun. Using special filters attached to his camera Friedman captures some of the most lovely details of the Sun’s roiling surface. The raw images are colorless and often blurry requiring numerous hours of coloring, adjusting and finessing to tease out the finest details, the results of which hardly resemble what I imagine the 10-million degree surface of Sun might look like. Instead Friedman’s photos appear almost calm and serene, perhaps an entire planet of fluffy clouds or cotton candy. From his artist statement:

Alan Friedman is a fascinating guy. By day he’s a maker of greeting cards and a lover of hats, but in his spare time he’s a self-proclaimed space cowboy who points a telescope skyward from his backyard in downtown Buffalo, directly into the light of the sun. Using special filters attached to his camera Friedman captures some of the most lovely details of the Sun’s roiling surface. The raw images are colorless and often blurry requiring numerous hours of coloring, adjusting and finessing to tease out the finest details, the results of which hardly resemble what I imagine the 10-million degree surface of Sun might look like. Instead Friedman’s photos appear almost calm and serene, perhaps an entire planet of fluffy clouds or cotton candy. From his artist statement:

Alan Friedman is a fascinating guy. By day he’s a maker of greeting cards and a lover of hats, but in his spare time he’s a self-proclaimed space cowboy who points a telescope skyward from his backyard in downtown Buffalo, directly into the light of the sun. Using special filters attached to his camera Friedman captures some of the most lovely details of the Sun’s roiling surface. The raw images are colorless and often blurry requiring numerous hours of coloring, adjusting and finessing to tease out the finest details, the results of which hardly resemble what I imagine the 10-million degree surface of Sun might look like. Instead Friedman’s photos appear almost calm and serene, perhaps an entire planet of fluffy clouds or cotton candy. From his artist statement:

Alan Friedman is a fascinating guy. By day he’s a maker of greeting cards and a lover of hats, but in his spare time he’s a self-proclaimed space cowboy who points a telescope skyward from his backyard in downtown Buffalo, directly into the light of the sun. Using special filters attached to his camera Friedman captures some of the most lovely details of the Sun’s roiling surface. The raw images are colorless and often blurry requiring numerous hours of coloring, adjusting and finessing to tease out the finest details, the results of which hardly resemble what I imagine the 10-million degree surface of Sun might look like. Instead Friedman’s photos appear almost calm and serene, perhaps an entire planet of fluffy clouds or cotton candy. From his artist statement:

Alan Friedman is a fascinating guy. By day he’s a maker of greeting cards and a lover of hats, but in his spare time he’s a self-proclaimed space cowboy who points a telescope skyward from his backyard in downtown Buffalo, directly into the light of the sun. Using special filters attached to his camera Friedman captures some of the most lovely details of the Sun’s roiling surface. The raw images are colorless and often blurry requiring numerous hours of coloring, adjusting and finessing to tease out the finest details, the results of which hardly resemble what I imagine the 10-million degree surface of Sun might look like. Instead Friedman’s photos appear almost calm and serene, perhaps an entire planet of fluffy clouds or cotton candy. From his artist statement:

Alan Friedman is a fascinating guy. By day he’s a maker of greeting cards and a lover of hats, but in his spare time he’s a self-proclaimed space cowboy who points a telescope skyward from his backyard in downtown Buffalo, directly into the light of the sun. Using special filters attached to his camera Friedman captures some of the most lovely details of the Sun’s roiling surface. The raw images are colorless and often blurry requiring numerous hours of coloring, adjusting and finessing to tease out the finest details, the results of which hardly resemble what I imagine the 10-million degree surface of Sun might look like. Instead Friedman’s photos appear almost calm and serene, perhaps an entire planet of fluffy clouds or cotton candy. From his artist statement:

Alan Friedman is a fascinating guy. By day he’s a maker of greeting cards and a lover of hats, but in his spare time he’s a self-proclaimed space cowboy who points a telescope skyward from his backyard in downtown Buffalo, directly into the light of the sun. Using special filters attached to his camera Friedman captures some of the most lovely details of the Sun’s roiling surface. The raw images are colorless and often blurry requiring numerous hours of coloring, adjusting and finessing to tease out the finest details, the results of which hardly resemble what I imagine the 10-million degree surface of Sun might look like. Instead Friedman’s photos appear almost calm and serene, perhaps an entire planet of fluffy clouds or cotton candy. From his artist statement:


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